StudioLighing(스튜디오 라이팅) : strobe with softbox/use red Gel filter·젤필터사용

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A behind the scene picture @ Ted Adnan Studio Flash Lighting Workshop June 2007, originally uploaded by ted adnan. from flickr(플리커)

StudioLighing(스튜디오 라이팅) : 400w strobe with softbox use red Gel·젤필터사용

*Lighting info(조명정보) : main Lighting with softbox, sub Lighting with small softbox at bottom, background lighting with red Gel filter 모델 전면에 소프트박스를 씌운 메인 스트로보 , 바닥에 소형 소프트박스를 씌운 소형 보조 스트로보, 배경에 빨강색(red) 젤필터를 장착한 배경용 조명이 사용되었습니다. 말레이지아(malaysia)의 Ted adnan 의 작업입니다. 젤라틴 필터의 대체물은 셀로판지가 가능하지만, 모델링램프에 얇은 셀로판지가 타버릴 위험이 있으니 조심해야 합니다 :) 결과물은 Read more.... 에 링크해두었습니다.

KODAK WRATTEN Gelatin Filters·코닥 젤라틴 필터 목록

This chart lists the standard numerical designations of available KODAK WRATTEN Gelatin Filters.

Filter Color                    Description/Use
Yellows
2A                           Pale yellow. Absorbs ultraviolet radiation.
2B                           Pale yellow. Absorbs ultraviolet radiation, slightly less than No. 2A.
2E                           Pale yellow. Absorbs more ultraviolet radiation than No. 2A.
3                              Light yellow. Absorbs excessive sky blue.
8                              Yellow. Transmits less blue than No. 3.
9                              Deep yellow. More dramatic effect than No. 8.
11                            Yellowish-green. Corrects panchromatic film rendition to match tungsten impression of scene.
12                            Deep yellow. Minus blue filter (see No. 32 for minus-green and No. 44A for minus-red).
15                            Deep yellow. Darkens sky in landscape photography.
Oranges, Reds and Magentas
16                              Yellow-orange. Greater over-correction of sky than No. 15.
21                              Orange. Contrast filter for blue and blue-green absorption.
22                              Deep orange. Contrast filter, greater effect than No. 21.
24                              Red.
25                              Red tricolor. Color separation work, tricolor printing, and infrared photography.
26                              Red.
29                              Red. Color separation with Nos. 47 and 61 and tricolor printing work.
32                              Magenta. Minus-green (No. 12 is minus-blue, No. 44A is minus-red).
Violets, Blues and Greens
34A                           Violet. For minus-green and plus-blue separation.
38A                           Blue. Absorbs red, some UV and green light.
44                              Light blue-green. Minus-red filter with much UV absorption.
44A                           Light blue-green. Minus-red (No. 12 is minus-blue, and No. 32 is minus-green)
47                              Blue tricolor. Color separation work with Nos. 29 and 61.
47A                           Light blue. Exciting fluorescein dyes in medical applications.
47B                           Deep blue tricolor. Color separation and tricolor work.
58                              Green tricolor. Color separation and tricolor printing.
61                              Deep green tricolor. Tricolor work with Nos. 29 and 47.
Color Conversion or Conversion Filters
Designed to provide significant changes in color temperature of various light sources.
80A, 80B, 80C, 80D—Blue series of conversion filters for use with color films.
5, 85N3, 85N6, 85N9, 85B, 85C - Amber series of conversion filters for use with color films.
Light Balancing
81, 81A, 81B, 81C, 81D, 81EF - Yellowish series of light-balancing filters.
82, 82A, 82B, 82C - Bluish series of light-balancing filters.
KODAK Miscellaneous
87, 87C                     Visibly opaque infrared filters.
89B                            Visibly opaque. Infrared photography, especially aerial.
90                               Dark grayish amber.
92 Red.                    Color densitometry.
96                               Neutral Density Filter No. 96.
98 Blue.                    Equivalent to No. 47B plus No. 2B filter.
99 Green.                 Equivalent to No. 61 plus No. 16 filter.
102 Yellow-green. Converts barrier-layer photocell response to eye luminosity response.
106 Amber.              Converts an S-4 type photocell response to the eye-luminosity response.
Note: For more information about filters, see Publication B-3, KODAK Photographic Filters Handbook,
available through your photographic dealer.